Maloya Malbar
by ZÈNE’T PANON
DjKinta
The Execrable Bede
Capture Field Recording
letkidbe
Paweł
flap
Too clever by half
enoopi
DyNEk
singularstep
Det Böse (Erst recht im UV-Licht)
zoolius
moon_ye
sevdelagrotte
MadBert
Jakub Knera
mattso
baudelaire974
seearebe
sotaas
lucaspizzini
nubianovarecords2
Andy McAllister
bs1860
titeinuite
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€7 EUR or more
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Record/Vinyl + Digital Album97% created on Reunion island. Recorded by the river, reworked, designed, filmed, costume handcrafted by Reunionese artists.
Orders dispatched from two locations /USA and EU/ to reduce shipping costs.
15% discount and bonus tracks if you subscribe to www.jujusounds.com (from pop up window only)!
Includes unlimited streaming of Maloya Malbar via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 days€23 EUR or more
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1. |
Anula
05:38
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A nou là na krié riskab talèr na shanté maloya
Aaah a nou là na krié
Là nou la di Mémé ala zordi nou shante Maloya Mémé
Aaah Maloya na krié
Na rod nanmsio na di terlà na kalou bandé
Dann in krwazé shemin mwin mi fé konfians mon destin
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2. |
Rasin Kaf
05:53
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Yalélalalélalé lalélalélalalélalé Yalélalalélalé lalélalélalalélalé (X3)
Granmoun lariv par bato la donn anou son lafrikinnté (X2)
Granmoun lariv par bato la donn anou son koulèr la po (X2)
Granmoun lariv par bato la donn anou son lafrikinnté (X2)
Granmoun lariv par bato la donn anou son koulèr la po (X2)
Yalélalalélalé lalélalélalalélalé Yalélalalélalé lalélalélalalélalé (X2)
Maloubar lariv par bato la port po nou zépis bandé
Maloubar lariv par bato la port po nou son Bondié Galé
Maloubar lariv par bato la tras po nou son karé dofé
Yalélalalélalé lalélalélalalélalé Yalélalalélalé lalélalélalalélalé (X2)
Malgasine lariv par bato la brod po nou zoli lambawan
Malgasine lariv par bato la brod po nou zoli palto
Malgasine lariv par bato la port tizane po Mémé Mario
Yalélalalélalé lalélalélalalélalé Yalélalalélalé lalélalélalalélalé (X2)
Granmoun lariv par bato la donn anou son lafrikinnté (X2)
Granmoun lariv par bato la donn anou son koulèr la po (X2)
Granmoun lariv par bato la port po nou son lidantité
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3. |
Kayman
06:37
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Refrain : Tyinbo Flanblo Kalimé là (X4)
Kayman ma mèn aou marsé / Kayman (x5)
Kayman na mèn aou marsé / Kayman
Koté Sin Lé
Mwin valé
Pasan Sint Mari
Mwin valé
Koté Sint Sizan
Mwin valé
koté Bagatelle
Mwin valé
Pasan Sin Benwa
Mwin valé
Koté Lélé
Mwin valé
Pasan par Beaufonds
Mwin valé
Lao Piton
Mwin valé
Plaine des Palmistes
Mwin valé
Piton Sint Roz
Mwin valé
Mé koté Sint Anne
Mwin valé
Kayman ma mèn aou marsé / Kayman
Kayman na mèn aou marsé / Kayman
Dousman mèn aou marsé / Kayman
Tyinbo Flanblo Kalimé là
Kayman ma mèn aou marsé / Kayman
Kayman na mèn aou marsé / Kayman
Dousman mèn aou marsé / Kayman
Par koté Sin Lwi
Mwin valé
Koté 3 bassins
Mwin valé
Passan La Saline
Mwin valé
Parkoté Sin Gilles
Mwin valé
Ousa i bril lo Rwa Dodo
Mwin valé
Kayman ma mèn aou marsé / Kayman
Kayman na mèn aou marsé / Kayman
Dousman mèn aou marsé / Kayman
Par koté Tampon
Mwin valé
Pasan Trwa Mares
Mwin valé
Koté Grand Tampon
Mwin valé
Koté Notre Dame
Mwin valé
Koté Bras Mouton
Mwin valé
Koté vincendo
Mwin valé
Pasan par Langevin
Mwin valé
Koté Cap Méchant
Mwin valé
Koté Sin Phillippe
Mwin valé
Kayman ma mèn aou marsé / Kayman
Kayman na mèn aou marsé / Kayman
Dousman mèn aou marsé / Kayman
Tyinbo Flanblo Kalimé là
Kayman ma mèn aou marsé / Kayman
Kayman na mèn aou marsé / Kayman
Dousman mèn aou marsé / Kayman
Koté Bras Panon
Mwin Valé
Mwin Valé
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4. |
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5. |
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6. |
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7. |
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8. |
Kayman (Loya rework)
03:55
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about
Tamil rhythms recorded by the river in the lush greenery of eastern Réunion. B side reworks by Jako Maron, EMB, Boogzbrown, Aleksand Saya and Loya.
Zène’T Panon’s music is unique even within the musical microcosm of Réunion Island. On the eastern coast, the most humid and verdant part of the island, the group imbues their version of maloya with Tamil rhythms and melodies. Our recording session on the banks of the Rivière des Marsouins, deep among the lush vegetation, featured the hypnotic sounds of Tamil instruments: the morlon, tarlon and malbar drums. That lazy day by the river with the entire Zène’T Panon family contrasted sharply with the group’s explosive energy during their usual recordings. Besides their Tamil influences, the group are distinguished by their creative capacity for new rhythms and the energy that they deploy. The perfect harmony playing out between the musicians meant the material could be recorded outdoors in a single evening with practically no retakes, which was a blessing as a tropical rainstorm broke just minutes after the session ended.
This album is not just another nicely packaged world music artefact. Nor is it an academic attempt to archive Afro-Malagasy and Tamil heritage. Firstly, we don’t recognise the concept of ‘traditional music’. As with all concepts, of course, it serves a purpose. But music cultures have never been something fixed in time and space, something that can describe a permanent identity – on the contrary, they have always been rather fluid. The fixed, permanent trope is the domain of politics and institutional religion. Nowhere can this fluidity be observed better than in creole cultures worldwide. Already a blend of African, Malagasy, Tamil and European influences, maloya is now in the process of yet another transformation. This album is a bridge between the old-school, instrumental maloya and the thriving electro maloya scene. Played at private kabaré ceremonies by well-respected gramouns, maloya has been at the heart of Reunionese culture for generations. Can the kabaré – steeped in spiritualism, devotion and magic – become digital? Can a new form of maloya be a vehicle for the complexity of local social contexts? These questions are not unknown to the artists of new wave electro maloya. With this album, Jako Marron, EMB, Boogzbrown, Aleksand Saya and Loya strive to provide the answers.
ZENE’T PANON are:
ANIBAL-MAHABO Samuel - lead vocal
BACARI Florian - pikèr / tarlon / backing vocals
BOQUET Fabien – kayanm / rouler / backing vocals
ILATA Daïka - rouler / sati / backing vocals
INES Magali - backing vocals
PECLET Léon – sati / morlon / backing vocals
Zène’T Panon’s music is unique even within the musical microcosm of Réunion Island. On the eastern coast, the most humid and verdant part of the island, the group imbues their version of maloya with Tamil rhythms and melodies. Our recording session on the banks of the Rivière des Marsouins, deep among the lush vegetation, featured the hypnotic sounds of Tamil instruments: the morlon, tarlon and malbar drums. That lazy day by the river with the entire Zène’T Panon family contrasted sharply with the group’s explosive energy during their usual recordings. Besides their Tamil influences, the group are distinguished by their creative capacity for new rhythms and the energy that they deploy. The perfect harmony playing out between the musicians meant the material could be recorded outdoors in a single evening with practically no retakes, which was a blessing as a tropical rainstorm broke just minutes after the session ended.
This album is not just another nicely packaged world music artefact. Nor is it an academic attempt to archive Afro-Malagasy and Tamil heritage. Firstly, we don’t recognise the concept of ‘traditional music’. As with all concepts, of course, it serves a purpose. But music cultures have never been something fixed in time and space, something that can describe a permanent identity – on the contrary, they have always been rather fluid. The fixed, permanent trope is the domain of politics and institutional religion. Nowhere can this fluidity be observed better than in creole cultures worldwide. Already a blend of African, Malagasy, Tamil and European influences, maloya is now in the process of yet another transformation. This album is a bridge between the old-school, instrumental maloya and the thriving electro maloya scene. Played at private kabaré ceremonies by well-respected gramouns, maloya has been at the heart of Reunionese culture for generations. Can the kabaré – steeped in spiritualism, devotion and magic – become digital? Can a new form of maloya be a vehicle for the complexity of local social contexts? These questions are not unknown to the artists of new wave electro maloya. With this album, Jako Marron, EMB, Boogzbrown, Aleksand Saya and Loya strive to provide the answers.
ZENE’T PANON are:
ANIBAL-MAHABO Samuel - lead vocal
BACARI Florian - pikèr / tarlon / backing vocals
BOQUET Fabien – kayanm / rouler / backing vocals
ILATA Daïka - rouler / sati / backing vocals
INES Magali - backing vocals
PECLET Léon – sati / morlon / backing vocals
credits
released October 25, 2022
Recorded by JuJu Sounds
Reworks by Jako Maron, EMB, Boogzbrown, Aleksand Saya, Loya
Mix by Michał Kupicz
Mastering by Dubplates & Mastering
Text by JuJu Sounds
Graphic & layout by Kid Kreol & Boogie
Recorded by JuJu Sounds
Reworks by Jako Maron, EMB, Boogzbrown, Aleksand Saya, Loya
Mix by Michał Kupicz
Mastering by Dubplates & Mastering
Text by JuJu Sounds
Graphic & layout by Kid Kreol & Boogie
license
all rights reserved
tags
about
JuJu Sounds UK
JuJu Sounds collates field recordings and stories about music from all corners of the globe. The peripheral music genres, rhythms and melodies accompanying everyday life, and the practices related to transcendental experiences, initiation and ritual. The musical cultures inspiring a sense of dignity and belonging. ... more
discography
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Oct 2022 -
Oct 2021 -
May 2020
contact / help
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